In HOLY COW: DIRECTIONAL POWER. REPEATED MARK., I arranged the clips in ways to make the sound create transitions between shots, ordered by topic with intent, with tensions and releases, with flow but also unpredictability. My approach was built off of feedback, from a repeated mark without a rotoscoping brush outline to rotoscoping and stabilization and then intentional movement of the objects. The end product is one I am proud to present as highly intentional, calculated, purposeful, and fun to watch.

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